It is my pleasure to introduce and welcome author M.J. Rose and her Gothic time-slip mystery Seduction. The story takes place on the windswept British Island of Jersey. Rose’s prose is filled with descriptive ambiance, art, mythology, psychology, and scent. The book explores the implications of reincarnation, and delves into nineteenth-century French novelist Victor Hugo’s life while on self-imposed exiled to the island. Hugo led hundreds of séances at his coastal home there, trying to make contact with his departed daughter Leopoldine. While the modern day protagonist mythologist, Jac L’Etoile, becomes entwined with Hugo’s past secrets and with a disturbed soul’s quest, which leads her deep inside the island’s mysterious Celtic heritage. I loved this novel. It was rich in poignant atmospheric detail and intrigue. It is a sensual and captivating read.
Here are a couple of my favorite lines from the book:
“To be a decent writer you must have both empathy and imagination. While these attributes aid your art, they can plague your soul.”
Now let’s venture into the story behind the story of M.J Rose’s engrossing novel Seduction…
Q: Where did your inspiration for Seduction come from?
A trip to Paris and Victor Hugo’s home there inspired me to read Les Miserables. I became obsessed with Fantine. I kept wondering if someone had inspired Hugo to create her? I started reading more and more about him. I read his poetry. Sought out his watercolors and drawings… But it was coming across a description of his belief in reincarnation and his experimenting with séances that made me decide to write about him… and the woman who might have inspired him to create Fantine.
Q: Will you tell us a little about protagonist Jac L’Etoile?
Founded before the French Revolution, The House of L’Etoile is an exclusive perfumery in Paris. The firm has over the centuries, developed some of the world’s most famous and beloved scents.
Jac L’Etoile has the most highly developed “nose” in the family, but at the age of 21 rejected the perfume industry in favor of becoming a mythologist. She studies and researches the origins of myths and presents her discovering on Mythfinders, an Amercian cable TV show. She’s also written a book of the same name.
Starting when she was a young teenager she began suffering psychotic episode and was teasted and treated for schizophrenia, bipolar disorder and other mental illnesses. But it was when Jac was finally send to a Jungian psychiatric facilty called Blitzer Rath. Where she meets Dr. Malachai Samuels, who believes that Jac is not suffering any kind of illness but is instead having past life memories.
Q: In addition, will you please share with us some information about French writer Victor Hugo, who plays a major part in the novel, and his exploration of séances while on self-imposed exile on the British Island of Jersey.
So much about Victor Hugo’s life is as it appears in the book. His beloved daughter drowned while he was on vacation with his mistress for which he felt guilty for the rest of his life. Several years later he exiled himself and his family to the Isle of Jersey because of political reasons. While he lived in a house overlooking the sea at Marine Terrace he and his family engaged in over one hundred séances that he himself transcribed. The séances began because he desperately wanted to know his daughter was at peace. They continued because, as he said, he became obsessed with the spirit world.
Victor Hugo claimed to have “spoken” with all the entities I mention in the book – including Jesus, Napoleon, Dante, Shakespeare, and especially the spirit he called The Shadow of the Sepulcher. Hugo maintained that the Shadow asked him to write a poem to restore his reputation as a creature of enlightenment. And indeed in 1859, Hugo wrote La Fin de Satan (The End of Satan).
And that’s where the facts end and my fiction picks up. The particular bargain that my Shadow offered Hugo is not recorded anywhere.
Q: Please tell us a little about the Celtic roots on the Island of Jersey, as they are important in Jac’s story.
The Celts inhabited Jersey centuries ago; Visual proof of it is everywhere you look. The dolmens and menhirs and passage graves I describe are for the most part the ones that actually exist. These Neolithic monuments have been dated as far back as 4800 BCE. Sadly human sacrifice was practiced by these spiritual people in a time very different from ours. Jac’s begins to have what she calls Meomory Lurches which take pace during these tempestous times.
Q: In the novel’s “Afterward” you share about how you were finally able to write this novel. You wrote it differently than all your others you’ve written up to this point. Please share with us this fascinating story.
We sold the book before it was written and when it was time to write - I panicked. Sure I had made a huge huge mistake. How dare I take on Hugo?! And not only take him on – but write a journal in his voice? He was a genius. How could I even begin to conjure him? I wanted to buy my contract back but my wonderful agent convinced me to read Hugo’s letters first. Dan (Dan Conaway, Writers House) thought the letters might show a man who was easier to relate to than the brilliant novelist who wrote Les Miserables. Dan was right. Hugo was more accessible as a man writing to his son or friend or mistress. It was through those letters, he came to life for me in a way that made me think I could take on the book.
So I’d read Hugo’s letters and decided to at least attempt the book, I sat down at my computer. And froze again. There I was. Trying to write what a 19th century novelist and poet would be writing to a woman he’d had an intimate relationship with. And doing it on a 21st century lap top. After many false tries, something clicked. I picked up a pen ,a bottle of ink and a notebook and started writing the way Hugo would have written. Longhand. And 120,000 words later…. I finally put down the pen. It was an astonishing experience. Not sure I want to do it too soon again – but it was the only way I think I could have written this book.
Q: What type of research did you do to write this Gothic time-slip novel?
I am doing research all the time – I love it. In fact I often think research half the reason I write. So I have an excuse to do the research and learn all this stuff. Immerse myself in history. In things I don’t now about. As for when its time to stop and write – it’s different with every book – but it always sort of organically happens. I read everything I could about Jersey, Celtic lore, Hugo, France at the time and séances .
Q: Will you share us a bit about your next upcoming release?
I’d be happy to. We spend so much time writing the flap copy I think I should put it to good use:
Florence, Italy—1533: An orphan named René le Florentin is plucked from poverty to become Catherine de Medici’s perfumer. Traveling with the young duchessina from Italy to France, René brings with him a cache of secret documents from the monastery where he was trained: recipes for exotic fragrances and potent medicines—and a formula for an alchemic process said to have the potential to reanimate the dead. In France, René becomes not only the greatest perfumer in the country but the most dangerous, creating deadly poisons for his Queen to use against her rivals. But while mixing herbs and essences under the light of flickering candles, Rene doesn’t begin to imagine the tragic and personal consequences for which his lethal potions will be responsible.
Paris, France—The Present: A renowned mythologist, Jac L’Etoile, is trying to recover from personal heartache by throwing herself into her work, learns of the 16th century perfumer who may have been working on an elixir that would unlock the secret to immortality. She becomes obsessed with René le Florentin’s work—particularly when she discovers the dying breathes he had collected during his lifetime. Jac’s efforts put her in the path of her estranged lover, Griffin North, a linguist who has already begun translating René le Florentin’s mysterious formula.
Together they confront an eccentric heiress in possession of a world-class art collection. A woman who has her own dark purpose for the elixir… a purpose for which she believes the ends will justify her deadly means.
This mesmerizing gothic tale of passion and obsession crisscrosses time, zigzagging from the violent days of Catherine de Medici’s court to twenty-first century France. Fiery and lush, set against deep, wild forests and dimly lit chateaus, The Collector of Dying Breaths illuminates the true path to immortality: the legacies we leave behind.
Thank you M.J. Rose for sharing about Seduction and your upcoming release!